Wed 4 Mar 2015
How do you top the untoppable? That was the problem facing Busby Berkeley and the Warner Bros. Studio back in 1933. Following the success that same year of 42nd Street and Gold Diggers of 1933, how could they make the script funnier, the pacing faster, and — most importantly — the spectacular musical numbers even more spectacular? The answer was Footlight Parade (1933), which is funnier, faster, and more spectacular than its two predecessors.
Footlight Parade may surprise you if you haven’t seen many classic films. You may be aware of Busby Berkeley’s campy musical numbers, but you may not realize how strong the comedic elements are in the earlier (and superior) Berkeley films. Just as Top Hat (1935) is just as good a romantic comedy as it is showcase for great dancing, the first two-thirds of Footlight Parade holds its own against most comedies. The last third of the movie consists almost entirely of the three musical numbers — each one bigger (and more improbable) than the last.
If you haven’t watched Yankee Doodle Dandy (1942), you may also be surprised to see James Cagney dance in this film. In fact, he started out as a dancer and was cast as a gangster in The Public Enemy (1931) only after switching roles.
And if you haven’t seen many pre-code Hollywood films from the early 1930s, you may be amazed by how modern they feel, especially in their verbal and sexual frankness. It isn’t anything you couldn’t hear on network television today, but it may be a shock to hear this coming from your grandmother’s or great-grandmother’s generation. One of the musical numbers revolves around a honeymoon hotel where all the guests go by the name of Mr. and Mrs. Smith.
Here are a few highlights from the movie’s dialogue, which have a refreshing depression-era we’re all in this together attitude:
Chester Kent: Hello, Vivian. This is Miss Rich. My secretary, Miss Prescott.
Nan Prescott: I know Miss Bi… Rich, if you remember.
Nan Prescott: [to Vivian] As long as there are sidewalks, you’ve got a job.
Charlie Bowers: Is there anything I can do?
Chester Kent: Yeah. See that window over there?
Charlie Bowers: Yeah.
Chester Kent: Take a running jump and I think you can make it.
In my college days, we used to run Footlight Parade regularly during final exams. Just as depression-era audiences craved an escape from their daily trials and tribulations, the exam-weary students responded positively to the film’s snappy comebacks, flawless comic timing, and — yes — glorious excesses contained in the musical numbers. Granted, it’s all a bit silly, but who doesn’t need a bit of silly every now and then?
(1933; directed by Lloyd Bacon, musical numbers by Busby Berkeley; cable & dvd)
Warner Home Video
List Price : $19.95
Saturday, April 11 at 12:15 p.m. eastern on Turner Classic Movies